Film productions based on the novel by Dashiell Hammett:
Also called Dangerous Female
Director Roy Del Ruth; writers Maude Fulton, Brown Holmes, Lucien Hubbard; featuring Ricardo Cortez, Bebeaniels, Thelma ToddDaniels, Thelma Todd
Director William Dieterle; writ. Brown Holmes; writer Brown Holmes; featuring Warren William, Bette Davis, Arthur Treacher
Director John Huston; writer Huston; featuring Humphrey Bogart, Mary Astor, Peter Lorre, Sidney Greenstreet
The first Maltese Falcon from Hollywood is surprisingly faithful to Hammett—and sexier than what followed.
A Spade is not necessarily a Spade
The 1941 film noir masterpiece starring Humphrey Bogart, the classic detective movie everyone knows, was actually the third film adaptation of The Maltese Falcon and spawned one goofy sequel.
One thing common to them all though is the hardbitten character of private sleuth Sam Spade at the centre of the story one way or another, though he takes on some distinctly different personalities.
Sam Spade, playboy for hire
In 1931, the year after the novel came out, Warner Brothers produced the first movie version of The Maltese Falcon. Sam Spade was played by Ricardo Cortez, who had started in silent films and went on to have a long career that spanned over a hundred films, including a stint as Perry Mason.
The femme fatale lead was played by Bebe Daniels who had an even longer career with nearly two hundred film credits. Screen siren Thelma Todd had a smaller role as Iva Archer, Spade's lover and wife of his murdered partner.
Ricardo Cortez as Spade
The film, later renamed Dangerous Female, is surprisingly faithful to Hammett's novel and similar to the later more famous version—matching it almost scene for scene and in some cases, such in as the funny scene when the dapper little Dr. Cairo (Otto Matiesen, another veteran silent film actor in one of his last roles before being killed in an accident) confronts Spade at gunpoint, almost line for line.
But Cortez is all playboy as Spade, chasing after every skirt and with an eye out for the main chance. He's continually laughing lasciviously, it seems. Until the end, of course, when he turns in the killer and suddenly turns solemn. But he does it without Hammett's speech about the code of loyalty. We never really get what motivates him to reach his surprising conclusion.
The sexual content however is much more explicit in this film than in the later versions, as the film was made before the studios' crackdown on immorality. It's clear Spade is sleeping around. We get to see much of Daniels in a bathtub. The hoodlums are obviously homosexual.
As in most films of the era, the sound is terrible, requiring the actors to speak loudly and to overact. But the movies was successful at the box office and so, as was the fashion in those days, Warner Brothers set about redoing it.