See also:

The Little Foxes play

 

Home pages:

The Greatest Literature of All Time

Movies of the Greatest Literature

Selected Authors

Selected Greatest Works

Editor Eric

 

 

 

missing graphic
The Little Foxes (1941 DVD)

Buy in Canada

Buy in U.K.

Buy in U.S.

  1941 The Little Foxes
dir. William Wyler; writ. Lillian Hellman, Arthur Kober, Dorothy Parker, Alan Campbell; featuring Better Davis, Herbert Marshall, Teresa Wright
     

The Little Foxes

Wonderful film adaptation. So wonderful you might not even realize it is an adaptation of a stage play. And most remarkably, it's based on a screenplay by the playwright. Lillian Hellman had started as a screenwriter before she became a playwright and seems to have put her Hollywood experience to good use with The Little Foxes.

Usually film adaptations try to open up the play, take it off the stage and into the world with more scenery and secondary characters. The 1941 film of The Little Foxes certainly does this, with the aid of three writers, including the fabulous Dorothy Parker, who are credited for "additional scenes and dialogue". Legendary director William Wyler makes it all fit together seamlessly.

But the real opening up is accomplished by building the character of Regina's daughter Alexandra. In the play she is merely an observer who adopts a contrary stance at the end, but in the movie we watch her go through the whole process from blithe innocence to disillusion and rebellion. To help her along, a new character is created—a cynical young journalist who gradually wins both the girl's heart and her mind. Of course, adding a love interest for Alexandra couldn't but help the otherwise dark play at the box office. The thus-expanded role of Alexandra launched the film career of Teresa Wright who would star in movies for the next five decades, most recently appearing (coincidentally as Miss Birdie) in John Grisham's The Rainmaker.

The centre of the production however is still Regina, the deliciously bitchy and determined Southern belle who fights her brothers for her share—and then some—of the family fortune, ready to use every weapon at her disposal including her feminine wiles, blackmail and even murder. That character description in the 1940s must have sounded like a casting call for Bette Davis and she responded in spades. Davis took over the role from Tallulah Bankhead, a similar actress who won acclaim as Regina on Broadway, and promptly won her own acclaim—and an Academy Award nomination—for the characterization.

The other Hubbards are played to brilliant effect by their stage originators, all seasoned character actors assured in their roles—the wily Ben by Charles Dingle, the slower Oscar by Carl Benton Reid, his fun-loving son Leo by Dan Duryea, and, in a wrenchingly pathetic turn, the abused Birdie (wife of Oscar) by Patricia Collinge.

Regina's ailing husband, Horace Giddens, is portrayed with quiet dignity by the accomplished Herbert Marshall. His simple exchanges with Alexandra, Birdie and Regina give the film a solid core. I'm not sure I believe that his character of the honest banker who sees through human vanity and wants only what's best for everyone really exists, but I believe it while watching the film.

The most dramatic scene from the play, involving Horace and Regina, is ratcheted up in shock value in the movie—not by histrionics but by deadly cool acting and unflinching direction. It would take a film seminar to take apart all the small glances, spoken inferences and physical stage business that lead up to this moment and its consequences. Let's just say it's a classic sequence of acting and filmmaking.

The Little Foxes garnered a total of nine Academy Award nominations—including for director Wyler, writer Hellman and all the female leads—though it won none. That was the year that the uplifting How Green Was My Valley swept the awards, and the year that the dark Citizen Kane was similarly shut out, except for a writing award. This negative vision of America was not taken to voters' hearts, though it has continued to resonate in the years since.

— Eric

missing graphic

© Copyright 2004 Eric McMillan. All rights reserved.

missing graphic