Robert A. Heinlein
Stranger in a Strange Land may be an old favourite of mine, and apparently of many other readers, but I'm wondering if it's time to drop it from the list of greatest novels.... more
Robert A. Heinlein
On writing, writers and books
I myself have been reading science fiction since Gernsback started putting it out in the Electrical Experimenter. Then I read in Argosy and I dug up all that I could out of the Kansas City Public Library.... I never had any particular notion of writing it until about two years ago when a concatenation of peculiar circumstances started me writing. I happened to hit the jackpot on the first one, so I continued writing. I t amazed me to discover that people gave money away for doing things like that—it sure beats working.
It's likely that I won't be writing very much longer. With the way things are shaping up, I'll probably have other things I'll have to do, as will others, whether we like it or not. But I hope to be fan of science fiction for at least fifty years if I can hold myself together that long and keep from getting my teeth kicked in.
Speech to Third World Science Fiction Convention
I will probably go on writing, at least part time, indefinitely. If you someday find it necessary to start rejecting my stuff, I expect to take a crack at some other forms, slick perhaps, and book-form novels, and in particular a non-fiction book on finance and money theory which I have wanted to do for a long time, also some articles on various economic and social problems. I have an outlet for such things, but it would be largely a labor of love—maybe ten dollars for an article into which has gone a week of research, and slim royalties on books in that field. Howsomever, I might crack the high word rates on general fiction at the same time. One never knows—I never expected to be writing pulp, or fiction of any sort, but it has paid me well...to my surprise!
Letter to John W. Campbell
[Rules for writing:]
1. You must write.
2. You must finish what you write.
3. You must refrain from rewriting, except to editorial order.
4. You must put the work on the market.
5. You must keep the work on the market until it is sold.
Essay "On the Writing of Speculative Fiction"
What this job really calls for is a meeting of the defunct Ma—ana Literary Society. Almost all writers need cross-pollenation—myself most certainly! (I am at present stuck on p.148 of the best set-up for a novel I ever had in my life and I cannot get the Goddam thing to gel!) The M.L.S. used to give ideas such a kicking around that a man went out of there with notes enough for three months; when Jack Williams, Anthony Boucher, Cleve Cartmill, Mick McComas, and several others all got to snarling over the same bone, something had to give.
My only regret at living in this idyllic ivory tower surrounded by snow-covered mountains, deer, Chinese pheasants, tall pine trees, and silence is that while a writer needs a lot of silence, he also needs stimulating talk....
I have had a dirty suspicion since I was about six that all consciousness is one and that all the actors I see around me (including my enemies) are myself, at different points in the record's grooves. I once partly explored this in a story called BY HIS BOOTSTRAPS. I say "partly" because I touched on one point only—and the story was mistaken by the readers (most of them) for a time-travel paradox story...whereas I was investigating whether "the wine we thought we swallered could make us dream of all that follered...but we was only simple seamen so of course we couldn't know."
Letter to Theodore Sturgeon
Any competent fiction writer can assume many roles, many points of view, any age, either sex. If he can't do this he had better get into some other trade.
Letter to John Presser